List of 1990s rap songs
It wasn’t long before I realized that, if I’m being very honest, all of these playlists are more or less the same. They’re all full of instrumental music (probably because they’re trying to be “calming”) and while the songs aren’t necessarily the same, to the untrained pup ear, they might as well be. There’s not a lot of variation, and if I were a dog, I’d get pretty bored with this mix too. Which might be the point — to just put your pup in a state of relaxation so they can drift off to dreamland.
So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.
Making any sort of impact through music requires an insane amount of work, as well as dedication, commitment, and inward-looking. From learning an instrument and writing songs to recording albums, booking shows, and embarking on tours, nothing good in music ever happens without a work ethic. Sure, there are times when inspiration for a song appears out of nowhere without effort or planning, but most momentum in music is generated by tedious non-musical work: writing emails, sticking to a regular rehearsal schedule, setting time aside each day to write music and play your instrument.
Save the music foundation
In this climate of increasing lawsuits, protecting your intellectual musical property is becoming an essential tool in the songwriter’s toolkit. Learn more.
Efa Etoroma, Jr. is a Los Angeles-based professional drummer, composer, and educator who is known for his stylistic versatility, expressive creativity, and his deep musical instincts. He performs and/or records with a variety artists including Moonchild, Sneakout, Ellen Doty, Bennie Maupin, A La Mer, BRNSTRM, The Writers’ Guild, and Sensae. In addition, Efa Jr. serves on the drum set faculty at the Musician’s Institute in Hollywood, California and teaches songwriting and music production at Citystage LA. Efa Jr. uses Yamaha Drums, Paiste Cymbals, Promark Sticks, Humes and Berg Cases, and Remo Drumheads, exclusively.
It used to be that the only way for songwriters to get financial support for their craft was via a music publishing deal. Advances were offered as part of a deal that required the songwriter giving up a percentage of their royalties in exchange for industry support, royalty collection and financial assistance.
In case you’re new to Soundfly, every one of our mentored online courses comes with ongoing 1-on-1 guidance and feedback on your work from a professional musician, composer, producer, singing actor, or industry insider working in the field. It’s like having a personal trainer, but for music! As you make your way through the high-quality, in-depth course materials, your Soundfly Mentor will help you work out your musical goals and keep you on pace to reaching them, every step of the way.
+ Enter the “Chip It Challenge!”: Create your own chiptune cover of Devo’s “Whip It,” and you could win a modded Game Boy, a flash cart, and feedback from Chipocrite, glomag, and BIAS One!
Rappers names a-z
Just like any genre, electronic production has its virtuosos that we can study and learn from. In this article, we’re going to approach Sandison and Eoin’s sound in three ways.
It’s always good to try to find ways to reengage with your collaborators even if they live elsewhere — developing and maintaining a network of home recording cowriters and musicians you can hit up is a very valuable musical practice. So last Friday, I shot him a text asking if he could track something for me by Sunday. I had a flawless solo take and some background parts less than two hours later.
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
Krumhansl proposed that we’ve heard enough songs in major keys to be able to pick up on what songs in major do, and how they should sound. Just like when you watch enough spy movies, you can basically predict what’s supposed to happen in the spy movie you’re about to watch. Cui says, “I’m assuming that most people hearing ‘I Wanna Dance With Somebody’ would know that it’s in major even though they might not know it’s called major.”
Playing for Change supports local music programs worldwide, including L’Ecole de musique de Kirina in Mali; Bizung School of Music and Dance in Tamale, Ghana; Imvula Music Program in Gugulethu, South Africa; and Joudour Sahara Music Program in M’Hamid El Ghizlane, Morocco. PFCF also partners to support the Music and Sports Program at Star School in Masaka, Rwanda.