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Kenneth Estrada y Santiago is a producing songwriter, musician, and YouTuber, based in Berlin, Germany. In his YouTube channel, SHOEGAZER he reviews effect pedals, teaches guitar chords and interviews weller known bands of the shoegaze scene. He was the frontman of the band Downhill Willows and releases his own albums on Bandcamp.
The integration of music into fundamental community practices (as opposed to sectioning music out as a separate subject area) may contribute to how many African musical traditions have gone largely unstudied by foreigners. In other words, music is daily life in many parts of Africa. But as a result, many African music educators do not permit or encourage written documentation of their work, as it is understood to dilute the lived experience. This in itself contributed to Afrocentric music continuing to be undervalued in the canon (largely upheld by traditions in the West), despite prominence across mass populations worldwide.
And according to the probe tone experiments, most people also probably recognize that the notes 1, 3, and 5 are also going to be pretty important in the melody. Houston’s song “I Wanna Dance With Somebody” is not in the aforementioned key of C major, but it is in a different major, the key of G♭ major, and this tonal hierarchy works in any key, so let’s use the numbers and look at it the way we’d look at any song on Earth.
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With three heavy-duty club EPs under his belt, the Cairo-based producer dropped his debut full-length Terminal in late 2018. It’s a dense, intricate listen that meshes hip-hop, IDM, and ambient music. ZULI’s skills as a producer are constantly on display through his unique choice of textures and his intricate, obsessive rhythms. He never loses the streetwise attitude though.
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Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.
There was one channel I quite liked that would be great to leave on for my dog indefinitely. That was the live dog video channel on YouTube. If your dog is like mine and loves to bark at animals on TV, this channel is perfect because it’s just tons of doggies living their best lives running around on the beach.
A firm fixture in the late 20th century avant-garde scene, Bertoncini’s abilities as a pianist also led him to perform piano repertoires from the Baroque era through the early modernist canon, and even piano and keyboard pieces written by Terry Riley and John Cage. He wrote numerous pieces for solo musicians and ensembles that include a variety of instruments and acoustic environments and treatments, such as Japanese gongs, prepared piano, speakers, mimes, photoelectric motors, sitars, “kinetic shadows” (whatever those are), and — of course — many Aeolian harps. Yeah, he was a weirdo, and an enormous influence on the late 20th century Italian avant-garde.
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This is a silly one, but look at local movie theaters — usually they offer specials once a week (Tuesday is often a cheaper day of the week) and it’s a nice distraction from the van, the stage, etc. It’s fun to lose yourself in a movie and turn off your phone for a few hours.
This is a two-part course series dedicated to sampling found sounds at home and turning them into all kinds of beats and tracks in Ableton Live. The first part is taught by Ableton Certified Trainer Brian Jackson, and concerns how to capture sounds using a simple microphone setup at home, and warp them into useable raw materials in Ableton. The second part follows famed YouTuber, beat maker, and educator Andrew Huang as he makes an incredibly compelling song out of nothing but sounds from a kitchen pot — and explains his process step by step on camera.
Open mics make lofty promises about what they’re able to offer songwriters of all levels. I’m here to tell you that they’re still a waste of your time.
With the advent of systems like the Kemper Profiler and Fractal Audio AX-8, many guitarists are making use of amp simulators instead of using the real thing. Even some of the most well known bands are using them live and in the studio.
The relationship between typography and music isn’t always talked about, but if a band makes use of some identifiably unique typography or linguistic symbols, you’d know right away who the artist was if you saw a piece of unnamed promotional material. The best examples of typography can even go so far as to tell an audience what genre of music a band plays, without you even having to listen to them.